Opulence

Tobias Wolff's new collection of short stories, Our Story Begins, is published by Bloomsbury.

www.bloomsbury.com

That room

The summer after my first year of high school, I got a case of independence and started hitchhiking to farms up and down the valley for day work picking berries and mucking out stalls. Then I found a place where the farmer paid me ten cents an hour over minimum wage, and his plump, childless wife fed me lunch and fussed over me while I ate, so I stayed on there until school started.

While shovelling shit or hacking weeds out of a drainage ditch, I'd sometimes stop to gaze out toward the far fields, where the hands, as the farmer called them, were bucking bales of hay into a wagon, stacking them to teetering heights. Now and then a bark of laughter reached me, a tag end of conversation. The farmer hadn't let me work in the hay because I was too small, but I beefed up over the winter, and the following summer he let me join the crew.

So I was a hand. A hand! I went a little crazy with that word, with the pleasure of applying it to myself. Having a job like this changed everything. It delivered you from the reach of your parents, from the caustic scrutiny of your friends. It set you free among strangers in the eventful world, where you could practice being someone else until you were someone else. It put money in your pocket and allowed you to believe that your other life – your inessential, parenthetical life at home and school – was just a sop to those deluded enough to imagine you still needed them.

There were three others working the fields with me: the farmer's shy, muscle-bound nephew, Clemson, who was in my class at school but to whom I condescended because he was just an inexperienced kid, and two Mexican brothers, Miguel and Eduardo. Miguel, short and stolid and solitary, spoke very little English, but rakish Eduardo did the talking for both of them. While the rest of us did the heavy work, Eduardo provided advice about girls and told stories in which he featured as a trickster and deft, indefatigable swordsman. He played it for laughs, but in the very materials of his storytelling – the dance halls and bars, the bumbling border guards, the clod-brained farmers and their insatiable wives, the larcenous cops, the whores who loved him – I felt the actuality of a life I knew nothing about yet somehow contrived to want for myself: a real life in a real world.

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